She likes to capture spontaneous moments reflecting the real nature of her subjects
Originally published on Global Voices
Photo by Aida Redžepagić, used with permission via Balkan Diskurs.
This article by Kristina Gadže was originally published by the Post-Conflict Research Center on Balkan Diskurs and within the first edition of MIR Magazine. MIR, which means ‘peace’ in Bosnian is an annual publication and platform for young inventive people. An edited version has been republished by Global Voices under a content sharing agreement.
Realizing that photography was her true love, Bosnia and Herzegovinan artist Aida Redžepagić left her job as a university professor and devoted herself completely to what brings her the most joy. She hails from the small town of Kakanj and currently lives in Sarajevo, the capital of Bosnia and Herzegovina.
Aida Redžepagić self-portrait, used with permission via Balkan Diskurs.
Her first artistic activities began in childhood, a talent she inherited from her mother. Nowadays, it is very difficult to leave a safe job and start working as a freelance artist, but she says she has not repented.
“Before I quit my job, I was just imagining 50-year-old Aida remembering how she used to love photography, but was afraid to leave her job, never daring to explore that part of herself. Just as I inherited a talent for art from my mum, I think I inherited a good business sense from my dad, meaning I understand how to run a business with discipline and invest appropriately. These are very important components that artists often forget,” explains Redžepagić, who describes herself as a “fashion photographer in love with documentary photography.”
She has tried out a number of photography styles, such as product photography and wedding photography, but she is most attracted to working with people because that is where she can express herself the most.
Aida states that she likes to photograph candid and non-posed moments. Photo by Aida Redžepagić, used with permission via Balkan Diskurs.
People as Inspiration
She says that her lectures allowed her to organize a photography course for students, where she recognized many talented young artists.
Aida Redžepagić describes herself as a “fashion photographer in love with documentary photography.” Photo by Aida Redžepagić, used with permission.
“It would be difficult for me to single out just a few of them, but what I can say is that rivalry is the best thing that can happen to any of us. Every time I see an excellent editorial made by one of my colleagues, I rejoice with equal zeal, but I also get the desire to do something new myself. I think that without healthy competition and rivalry, we would all be worse at the jobs we do,” Redžepagić points out.
She believes that photography has flourished in Bosnia and Herzegovina over the last 10 years. In addition to participating in festivals like the Rovinj Photodays Festival, Aida is also active on social networks and has close to 15,000 followers on her Instagram account.
Redžepagić explained:
Društvene mreže su svakako povećale interes za fotografijom. Često se fotografija stavlja u negativan kontekst kada je stavimo pod ruku s društvenim mrežama, jer automatski zamišljamo beskrajno mnogo ispraznih selfija. Međutim, ja viđam prekrasne izražaje mladih ljudi koji fotografišu prirodu, hranu, portrete, dokumentarnu fotografiju…Hvataju odlične momente i kadrove, a ponekad sve što imaju od opreme je kamera na telefonu.
Social networks have certainly increased interest in photography. People tend to have a negative connotation of photography on social networks, because we automatically imagine never-ending identikit selfies. However, I also see the beautiful expression of young people who photograph nature, food, portraits, documentary photography… They capture great moments and shots, and sometimes all the equipment they have is a phone camera.
In her own photography, she likes to capture real, honest, and unposed moments. Among her most intimate collaborations with public figures, she singles out her project with the current ambassador of Bosnia and Herzegovina to the Czech Republic, Martina Mlinarević, where, as she says, she took matters into her own hands and approached the shoot differently.
Photo from the series depicting the life struggle of Martina Mlinarević that won first prize at Rovinj Photodays 2022. Photo by Aida Redžepagić, used with permission.
“Martina and her partner Goran came to the studio with the goal of photographing them together. We spent hours talking, and I refused to do studio photography. It was too ordinary and planned for me. I wanted to catch them together. The essence of their story. Then I suggested that I spend a day with them in their apartment as they went about their daily routine, as if I wasn’t with them. That is how such an honest photo story was created instead of a studio portrait,” recounts Redžepagić. It was a series of photographs that won her first place at the Rovinj Photodays Festival in 2020.
Photo from the series depicting the life struggle of Martina Mlinarević that won first prize at Rovinj Photodays 2022. Photo by Aida Redžepagić, used with permission.
Rights of Photographers in BiH
It is not easy being a freelance photographer in Bosnia and Herzegovina. This is most illustrated by one particular administrative flaw in the country's legal system. As Redžepagić points out, in the Federation of Bosnia and Herzegovina’s official classification of professions, until this year, code 74.2 stated: “Traditional photographer without the use of digital technology,” demonstrating administrative obsolescence and a lack of adaptation to today’s way of doing professional photography. However, she emphasizes that this does not necessarily reflect the situation on the ground, and that finding a job is not always a difficult task.
Digital photography is still not a listed occupation in the job code system of the Federation of Bosnia and Herzegovina. Photo by Aida Redžepagić, used with permission via Balkan Diskurs.
This passionate artist is not just into photography. Ten years ago, she was in fact, creating needlepoint art — something in which she says she could no longer imagine herself doing. She advises young photographers who have yet to find their audience to not even look for one.
Aida Redžepagić concludes:
Fotografija treba biti jedini fokus, publika i klijenti sami pronađu put do vas. I dan danas, neke od meni omiljenih fotografija imaju najmanje lajkova. To nikada ne treba da vam bude mjerilo kvalitete ni uspjeha. Mnogo je bitno odvojiti rad od tog aspekta u današnjem vremenu. Zvuči sebično, ali bitnije je da slušate svoj instinkt nego da se vodite ,,aplauzom lajkova“ i ukusom publike.
Photography should be the only focus. The audience and clients will find their way to you. Even today, some of my favorite photos are the ones with the least ‘likes’. It should never be a measure of your quality or success. It is very important to separate work from this aspect nowadays. It sounds selfish, but it is more important to listen to your instinct than to be guided by applause, likes and the taste of the audience.
Sign in the background reading “car market.” Photo by Aida Redžepagić, used with permission via Balkan Diskurs.
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